Out of our two desi ghostbusters, Vibhu is the one who considers this occupation as a monetary opportunity but Chiku is the righteous one following his dead father’s route to master tantrism.Īt a ‘Spirit Carnival’, they’re discovered by Maya (Yami Gautam) who then takes them to Dharmashala to captivate a ‘Kichkandi’ (a creepy female ghost). (He also directed the well received Ragini MMS earlier)ĭisclaimer: The image used in this post is the sole property of the makers of this film and is not owned by us in any form whatsoever.The initial few minutes are taken to lay the base for the title of the film by introducing us to the Bhoot Police which consists of two brothers Vibhu (Saif Ali Khan) & Chiku (Arjun Kapoor). Watch it for a director who seems to have made the horror-within-confined-spaces his own genre. Gobblpoint: Watch it for one of Bollywood’s most promising new-comers who is here for the long haul. But for now, enjoy this tour-de-fear this week.
PHOBIA HINDI MOVIE REVIEW MOVIE
The premise of this movie can also be a great theatre adaptation. Be it for Radhika Apte’s acting or the sheer audacity of a director to make an entire movie inside a 3 bhk flat and succeeding in the attempt, this movie is for Bollywood lovers, who welcome ideas. Phobia is a movie which deserves a viewing. Also, some of the ideas incorporated into the story are copybook, like the one where the young neighbor intrudes into someone’s house. But it definitely pulls the movie down a bit. It is not disappointing, since the story is more about the perils faced by an innocent girl than some trademark commercial venture which has to rely on shock value at the end to salvage the movie.
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Avid movie watchers will see the final twist coming from a mile. Now, to the part where we thought the director could have done better. It is not loud and jarring, as some thriller movies tend to turn into, but works in increasing and decreasing tempo, parallel to the story line. The background music compliments the mood which the director aims at achieving. Be it for Radhika Apte’s acting or the sheer audacity of a director to make an entire movie inside a 3 bhk flat and succeeding in the attempt, this movie is for Bollywood lovers, who welcome ideas.” “Phobia is a movie which deserves a viewing. It is a must for a story like this, where gimmicks, song and dance or expensive locales are not in the picture. Be it Satyadeep Mishra as the doting boyfriend or Yashashwini Dayama as the college girl whom Mahek (Apte) befriends or the terrific Ankur Vikal, as the mysterious and suspected-all-through neighbor, everyone adds layers to the story. Props to the supporting actors too, for being perfect foil to the protagonist. She shifts from the unstable victim to a scream-queen effortlessly. Best part about her character portrayal being the tonality and fluctuating frequency at which she operates. Phobia will establish her credentials strongly. Radhika has slowly but steadily risen as a bankable actress and her choices of roles bear testimony to her resourcefulness as a versatile actress.
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She delves deep into the turmoils faced by a disturbed mind and takes the audience on a roller coster ride of fear. None of that would have been possible without the acting proficiency of the leading lady Radhika Apte. Not allowing the audience to settle into a popcorn munching arm-resting mode is the trick and Kripalani achieves that with aplomb. A prerequisite for such a horror flick is to know when exactly to rachet up the tension. With a tight premise of a girl suffering from agoraphobia who alienates herself from the outside world only to realize the demons lurking within the house, director Pawan Kripalani makes sure that the often used elements like creaks, visions and claustrophobia is used in a measured mix where the audience feels uncomfortable, yet invested in the development of the story. But Phobia comes forth as a welcome change from the mundane. We use the word ‘surprisingly’ because, let’s face it, Bollywood is not known for knitting a thriller within the confines of four walls. And we are talking about both the movie and the sense which pervades throughout the entirety of this surprisingly matured and nuanced thriller.